•••
EIZO
ATOMOS
CINEGEARS GHOST-EYE 150M
ATOMOS
SMALL HD CINE 7
SMALLHD 1703 P3X
RED DIGITAL CINEMA
ATOMOS
The Atomos Ninja 5.2″ small form factor 6K RAW monitor-recorder, ideal for DSLR and mirrorless cameras. More codecs and monitoring tools than ever before.
The Atomos Shinobi 7 monitor combines a large 7” HDR screen with a calibrated peak brightness of 2200nits and the lightweight monitor-only functions of the original Shinobi. The Shinobi 7 can be used in the brightest of environments to monitor signals up to 4Kp60 via HDMI or 2Kp60 via 3G-SDI. An ideal directors’ monitor, focus pullers’ monitor, program or preview display for video switchers, and perfect for vloggers presenting to camera.
With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the Atomos SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows.
The Cinegears Ghost-Eye 150M V2 Set enables you to transmit 1080p60 uncompressed HD video and audio at distances up to 492'. It features both HDMI and 3G-SDI inputs and outputs, 10-bit 4:2:2 video, and the simultaneous use of up to four of ten frequencies.
$90 / Day
$67.50 / Additional Day
$270 / Week
Let your imagination soar with this professional-level model for use in photography, design, print, and post production. It features a built-in self calibration sensor for hassle-free monitor maintenance, vivid colors reproduced to industry standards, and exceptionally high contrast for producing true blacks.
With 4K UHD (3840 x 2160) resolution, 500 cd/m2 high brightness, and HDR gamma support, the monitor reproduces content in remarkable detail. USB Type-C connectivity provides a streamlined experience so professionals in video editing, game development, photography, and more can focus on creating.
The DM240 is a durable, lightweight, efficient, and color critical professional broadcast monitor. Industry leading fast mode processing, a durable all metal chassis, and our most advanced feature set make the DM240 ideal for applications ranging from production to post.
$180 / Day
$135 / Additional Day
$540 / Week
The pinnacle of bright beauty and sleek design.
$120 / Day
$90 / Additional Day
$360 / Week
The Osee G7 Pro is a 7″ 3000nit touchscreen monitor with camera control. It comes with 3G-SDI and HDMI inputs and outputs, a 178 degree viewing angle, and a 1300:1 contrast ratio.
The Panasonic BT-LH1760 will handle almost any video standard you throw at it, whether analog or digital, including computer connections. AC & DC powering makes it equally at home in the studio or in the field.
$80 / Day
$60 / Additional Day
$240 / Week
Designed for cable free mounting to select RED cameras, the RED Digital Cinema DSMC2 Red Touch 4.7" LCD features 1280 x 720 resolution with good off axis viewing up to 160°. The LCD features multi-touch control, with hard navigation buttons on the side.
$70 / Day
$52.50 / Additional Day
$210 / Week
Bright, Full HD 17-inch Wide Color Gamut (P3) Reference Grade Monitor that rivals OLED with Incredible color accuracy and daylight viewability.
$150 / Day
$112.50 / Additional Day
$450 / Week
Cine 7 is the ultimate 7” on-camera monitor for cinematographers, offering a color accurate wide-gamut display, cinema camera control, and integrated Teradek RT and Bolt functionality.
$95 / Day
$71.25 / Additional Day
$285 / Week
